![]() ![]() Whether using a Mac or PC based studio, Symphony I/O Mk II HD can connect directly to your Pro Tools HDX, Pro Tools HD Native or Pro Tools Core/Accel. Two of the interfaces connect directly to DigiLink Mini ports 1 and 2, and the other two interfaces connect to the expansion ports on the Pro Tools | HD audio interfaces. Pro Tools HD Option Card Symphony I/O Mk II HD is designed for the Pro Tools HD user who needs a multi-channel audio interface with the best sound quality at an incredible cost per channel value. To get a full 64 channels of I/O, the Pro Tools | HDX PCIe card allows you to connect up to four, 16-channel Pro Tools | HD audio interfaces. The card easily instals into your existing Mac or Windows tower/desktop computer. It provides up to 256 voiceable tracks, 64 channels of simultaneous I/O, and supports up to 24-bit / 192 kHz Pro Tools sessions. Mix audio from up to two Pro Tools|HD systems with a D-Command® control surface through Multi-modeĬomplete Pro Tools|HDX systems, which include the Pro Tools|HDX PCIe card, Pro Tools HD 10 software, and a choice of Pro Tools HD Series interface, will be available worldwide on November 18, 2011.The Avid Pro Tools HDX PCIe Card brings high-speed DSP power to your Pro Tools | HDX system for direct-to-disk recording and playback, and plug-in processing with near-zero latency.Control up to 12 Pro Tools|HD systems from one using the Satellite Link option.Get great recording and playback responsiveness with the extended disk cache, which can load entire sessions into RAM, and ensures maximum track counts from networked-attached storage, such as Avid Unity™ ISIS®, and slower local drives.Record and play back up to 256 audio tracks per card (or play back up to 768 tracks with three cards) to support the most massive mixes.With two formats available-AAX DSP and AAX Native-AAX opens the door to future advancements in Pro Tools technology.Pro Tools HD 10 introduces the new AAX (Avid Audio eXtension) plug-in format, enabling better workflows and sound parity when sharing sessions between DSP-accelerated and native-based Pro Tools systems.New AAX plug-in format-built for the future Expand your system by adding more HDX cards. Capture, monitor, and output audio in pristine clarity with a choice of Pro Tools HD Series interfaces 32-bit floating-point processing between plug-ins preserves quality and dramatically increases headroom.Dramatically improve recording and mixing audio quality with over 1,000 dB additional headroom and higher resolution sound, thanks to the new floating-point architecture.Work with up to 64 channels of I/O per card, enabling larger configurations with fewer cards.Manage larger productions with fewer cards, with up to 4x the playable track counts Avid’s Pro Tools HDX, like its HD predecessor, has always been a fairly ‘closed’ system: it uses a proprietary plugin format (AAX), requires an Avid PCIe or Thunderbolt card (either HDX or Native) to run, and is intended by Avid, at least to be used with the company’s own AD/DA.Get up to 5x the processing power of previous generation cards. ![]() Together, the Pro Tools|HD product family provides the highest performance, lowest latency, and greatest sound quality available for the most demanding audio post and music production professionals. Or customers can choose the new flagship DSP-accelerated Pro Tools|HDX system if they require consistent peak performance and near-zero latency to handle extremely large and complex productions. Customers can choose the Pro Tools|HD Native system if they need the advanced workflows and sound quality of Pro Tools HD, and want to leverage their host computer to get the best performance and lowest latency. With this addition to the Pro Tools|HD family, there are now two powerful system choices. And as customers’ needs grow, the system can be scaled to increase track counts, power, and I/O, using up to three Pro Tools|HDX cards and multiple Pro Tools HD Series interfaces. This new system represents a milestone in Avid’s development of DSP-accelerated hardware, delivering up to 5x more DSP per card, over a thousand dB of additional headroom, and up to 4x the track counts and 2x the I/O compared to its Pro Tools|HD Accel predecessor. ![]() The Pro Tools|HDX system enables customers to mix bigger, more complex productions, with the rock-solid performance and stability that Pro Tools|HD customers have come to expect. You get 5 times the processing power, more headroom, more tracks… What more could you ask for?! A Pro Tools HD system with a 64 bit DAW you say? Well not yet, but I’m sure it will show up eventually. HDX is a HUGE leap forward in DSP driven Pro Tools HD systems. I may not have been as excited as I should about Pro Tools 10, but this definitely gets my blood boiling.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |